(via and-one-finemorning)
(via and-one-finemorning)
(Source: acompletelife, via and-one-finemorning)
[video]
my older sister is getting a law degree but she needs to have extra classes that aren’t related to law to complete it so she’s taking tree climbing 101
as in
a class that teaches you how to climb trees
let’s talk about the american education system
i love this
(via ghostsandemons)
(via west-coast-prepster)
Same goes for doing stuff that is regarded as “cis-gendered,” like when I wear makeup. Just calm down guys. I think guy-liner is sweet. Lemme be.
preeacchh
always reblog
(via feminismisprettycool)
(via ghostsandemons)
(Source: marisais, via west-coast-prepster)
One of my favorite posts
(Source: killerkharisma, via west-coast-prepster)
“Sex scenes have become dull and unimaginative since the ’70s, when showing flesh in mainstream movies still carried a frisson of transgression….The real objects of lust in contemporary cinema are not bodies but, well, objects — in particular the luxury brands that form the lingua franca of popular culture from hip-hop to reality television to the pages of Vogue.” —
A. O. Scott, “Gatsby, and Other Luxury Consumers” NYTimes, May 16, 2013
(via ottyvonbismarck)
(via erichcanvogue)
(Source: theperkofbeingwallflowers, via iloveeurope)
NY
(via allthingselegant)
Where have all the women gone in movies?
Despite the success of ‘Bridesmaids’ and other female-driven movies, female representation in films is at its lowest level in five years, a USC report says.
There’s one mountain in Hollywood that even “The Hunger Games’” scrappy heroine Katniss Everdeen hasn’t been able to move: the number of roles for women.
Despite the success of recent female-driven movies such as “Bridesmaids” and the “Hunger Games” and “Twilight” series, female representation in popular movies is at its lowest level in five years, according to a study being released Monday by the USC Annenberg School for Communication and Journalism.
Among the 100 highest-grossing movies at the U.S. box office in 2012, the study reported, 28.4% of speaking characters were female. That’s a drop from 32.8% three years ago, and a number that has stayed relatively stagnant despite increased research attention to the topic and several high-profile box-office successes starring women.
“There is notable consistency in the number of females on-screen from year to year,” said USC researcher Marc Choueiti. “The slate of films developed and produced each year is almost formulaic — in the aggregate, female representation hardly changed at all.”
When they are on-screen, 31.6% of women are shown wearing sexually revealing clothing, the highest percentage in the five years the USC researchers have been studying the issue.
For teen girls, the number who are provocatively dressed is even higher: 56.6% of teen girl characters in 2012 movies wore sexy clothes, an increase of 20% since 2009.
The USC researchers said these trends persist because those working in Hollywood believe attracting a male audience is the key ingredient to box office success.
“Industry perceptions of the audience drive much of what we see on-screen,” said study author Stacy L. Smith. “There is a perception that movies that pull male sell. Given that females go to the movies as much as males, the lack of change is likely due to entrenched ways of thinking and doing business that perpetuate the status quo.”
Female characters are more prevalent — and less likely to be sexualized — in movies written and directed by women, according to Smith.
A study USC released in January in conjunction with the Sundance Institute and Women in Film Los Angeles found that women have made more inroads in those kinds of behind-the-camera jobs in independent film and documentaries than they have in big-budget studio movies.
But it’s typically the studio movies that drive the box office — and shape audiences.
“Some depictions of females on-screen can have unintended and negative consequences for viewers,” Smith said. “Every voice deserves a chance to be heard and every story a chance to be told. At the moment … that does not seem to be the case in popular film.”
(via cognitivedissonance)